You can Dance -

In last week’s post, Sue Richard’s mentioned “choreography” of the fingering for a tune.  This week, Sue expands on the importance of practice and getting your fingering right - 

“Part of smart practicing that I think people don't pay attention to is the way the tune feels, phrase by phrase. Memorize the way it feels when you have a crossover or an odd fingering. Memorize the feel of the occasional chords and relish them. If it is an Irish tune where you should play variations, practice them. Don't just expect them to pop up. And don't play the tune exactly the same way every time.  Have at least one variation of a measure or two on hand, all practiced up. And most importantly, relaxing is part of the choreography. Know where you need to loosen up, and where you need to play hard to make a phrase exciting and interesting. 

"Choreograph your fingering! Try difficult phrases many ways, using all the available alternatives. Crossovers, slides, taking a note or two in your LH, skipping a note or substituting a note are all good. Pay attention to the heavy and light notes, and figure out where you might want cuts. Then move into the stage where you play it the same way every time, for 500 times. (That's what takes seven years.) Also, understand that many things like triad patterns and runs of 5-6 notes and walk-down LH are common to many tunes, and will transfer."

Are you ready to learn your choreography and dance on your strings?

Like the swan

You will remember from last week that all this month I'll be sharing some excellent thoughts put together by the incredible Sue Richards!  She is a consummate professional and you will never see her perform when she doesn’t resemble a swan – serene, gliding from note to note.  She is clearly enjoying herself.  It is highly likely that only we other harpers have any concept of just how hard she is working.  Like the swan, that serenity belies the “paddling below the water” - working hard but giving no outward sign of it.  She tells how that can be:

 

"I recently debuted a couple reels that I have been working on for several years. That is, I played them in public.  I have been working on them for about seven years, off and on. No I didn't play them every day, but I did practice them for a few weeks at a time, then took a break. And what I was really doing was tweaking the choreography- fingering.  I knew they were ready when they had "flow". That doesn't mean I can play them perfectly every time, but that they had the right feeling and I mostly didn't make mistakes. And I know that as I perform them this year, they will become solid.

"While it may seem that famous Celtic harpers are fluidly swimming when they play jigs and reels, it is probably an illusion. Those notes are probably pretty carefully choreographed, and their brains are trained to look ahead to where they will be going. The fluidity comes from smart practice, concentrated relaxation, and brain focus."

SEVEN YEARS!?!  Yes, you read that right.  She works long and hard to bring the tune out.  So the next time you leave a workshop or lesson feeling like a failure because the tune you learned is not ready for prime time – remember what Sue has said – and be prepared to work on it a good long time to get it ready to see the light…so you too can glide along (like that swan).

February – Guest month - Sue RIchards

I recently had an opportunity to be chatting with the fantastic Sue Richards over lunch She is what I call a Harp Hero.  She attained this status over time by being not only a sensational performer but also a sensitive teacher, a good coach, and a lovely friend.   I have had the privilege to learn a lot from her – some of it related to playing the harp!

She graciously wrote up some ideas for me to share with you and we’ll do that over February.  Why February?  Well, I find this is one of the most challenging times of the year – we have turned the corner in winter and the days are detectably longer, but the weather is not overly nice and it still feels as though we will never get out of the darkness.  There are not as many weddings or parties so gigs may take a hit, the rush of Christmas is over.  This time of year can be a real motivational nadir.  But if you’re not practicing now, you will be behind when wedding, competition, and summer camps seasons get into full swing.

But this time of year is a great time to focus and to hone your practice skills – for all the same reasons – Christmas is over so it’s time to learn some new music, the days are short so there’s plenty of time to practice with fewer outside distractions, and those weddings aren’t going to play themselves so you need to be ready to book the gig with confidence.

Over this month, I’ll share with you some of the great insights I have received from the amazing Sue!  I hope they will inspire, encourage, and enlighten you as they have me.  And you’ll learn about practicing in a whole new light!  She’s given us some great thoughts on practicing smart and I’m looking forward to sharing them with you!