December 24, 2014
December 17, 2014
You’ve been there – you are performing – at Carnegie Hall, at a local festival, in your church, for your cat - and you make a “unintended jazz improvisation”, an out of mode musical variation, an exciting opportunity to explore the entirety of the scale, a mistake!
In your head this diversion is accompanied by a cymbal clash, a thunderclap, and an accusatory glare from everyone within earshot. You replay it in your head in a heart wrenching loop – you focus all your energy in reliving the moment. You play it in slo-mo. You play it over and over and over. You reconfirm all your fears that you are not a good harp player.
But then you make the real mistake – you point out to yourself that (insert your Harp Hero here) never makes those errors. Your Harp Hero is perfect – you have never heard a wrong note emerge from HH's harp! It is not possible!
The mistake you make is to replay your blooper reel incessantly with the occasional quick glance to focus on someone else’s highlights reel. You fuel your inner narrative that you are not now, nor will you ever be, as good as (insert Harp Hero here).
This is pointless and silly and you need to stop! Next time you are in the presence of a Harp Hero – really listen. It was incredibly freeing the first time I heard (and did not dismiss) my Harp Hero’s musical diversion – it helped me see that we are alike. Ok, we are separated by years of experience and practice – but underneath all that – we both have bloopers and highlights –
So the next time its Bloopers Showtime in your head, make some popcorn and watch your “Funniest Home Videos”.
Then practice and gain experience – because you never know whose Harp Hero you might be!
December 10, 2014
It's winter and the holiday season. We're all typically in demand at this time - nothing says winter holidays like having a harp at your festive event. The question sometimes is what should you play? We all know that holiday music can get a little wearing, especially later in the season and if it is non-stop.
And until then, keep practicing!
And until then, keep practicing!
December 3, 2014
Most harpers have some concept of the (likely romanticized) history of the harper – an important contributor to life in the home of the Laird, carrier of news, stories, lore, and intrigue, and provider of music for all events and perhaps for everyday living. Likely you know that at some point harping was an excellent profession for the blind – a job that didn’t require being sighted to be excellent. And of course, we have the Rory’s in history. We are ever so slightly proud of that heritage.
So why then, do I so often hear, “Oh, I have to look!” or “I can’t play without seeing the strings” or some variation on these? I’ve also hear, “I’ll make a complete mess of it if I don’t look!”
And you know what I’ll say to that – you simply need to practice to play without looking! There are so many reasons to play without looking:
- Candle light/poor lighting
- Power cuts
- Outdoor, dusk weddings
- Poor or changing vision
But if you practice playing in low or no light situations you will see a number of improvements:
- Your body will know where the notes are (and will learn that better than if you are always looking)
- You’ll be more confident in a number of situations (listed above)
- You don’t have to remember to carry a light (of course, this assumes you don’t need the music stand!)
If you need a little nudge to start playing in low light, start by practicing at dusk by natural light – and let the night come. It will be very gradual. You’ll learn this way that you can in fact play with little light.
Don’t get discouraged – you had to learn to play by looking – and this is no different...and enjoy – you’ll impress your harp friends too!